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Georges Seurat Oil Paintings

[ Nationality : French, 1859-1891 ] Hand Painted Oil Painting Reproductions
107 paintings, painting: 1 - 10. Total 11 pages, page :1/11 Go To Page/11

Sunday Afternoon on the Island of la Grande Jatte

1886, Art Institute of Chicago, Georges Seurat artwork.

29627

The Siene at la Grande Jatte

1888, oil on canvas, Georges Seurat artwork.

29628

The Circus

1890-91, oil on canvas, Musee d'Orsay, Paris, Georges Seurat artwork.

29629

Les Poseuses

1886-88, oil on canvas, The Barnes Foundation, Merion, PA., Georges Seurat artwork.

29630

Young Woman Powdering Herself

1888-90, oil on canvas, Courtauld Gallery, London., Georges Seurat artwork.

29631

Le Chahut

1889-90, oil on canvas, Kroller-Muller Museum, Otterlo., Georges Seurat artwork.

29632

Port-en-Bessin, Sunday

1888, oil on canvas, Kroller-Muller Museum, Otterlo., Georges Seurat artwork.

29633

The Eiffel Tower

1889, oil on canvas, The Fine Arts Museum of San Francisco., Georges Seurat artwork.

29634

Bathing at Asniers

Bathing at Asniers, approx. 1884, oil on canvas, National Gallery at London., Georges Seurat artwork.

29635

La Parade

1888, oil on canvas, Metropolitan Museum of Art, New York., Georges Seurat artwork.

29636

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107 paintings, painting: 1 - 10. Total 11 pages, page :1/11 Go To Page/11
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Seurat, Georges (Nationality:French, 1859-1891)
Georges Seurat was a French painter who with fellow artist Paul Signac originated the influential theory and practice of neoimpressionism. He rejected the soft, irregular brushstrokes of impressionism in favor of pointillism, a technique he developed whereby solid forms are constructed by applying small, close-packed dots of unmixed color to a white background. Many artists imitated Seurat's method, but, except in the work of Signac, his technique remained unequaled in its perfect blending of colors. Seurat derived many of his theories about painting from his study of contemporary treatises on optics. His scientific bent was also evident in his work habits, which included fixed hours and the meticulous systematization of his technique. In 1884 Seurat completed Bathers at The National Gallery (London), a scene of boys in the Seine River and the first of six large canvases that would constitute the bulk of his life's work. In this and subsequent paintings, he continued the impressionist tradition of depicting holiday outings and entertainments. He departed from impressionist style, however, in his precise application of paint and in the suggestion of depth and volume in his scenes. His masterpiece, A Sunday Afternoon on the Island of La Grande Jatte (1884-1886, Art Institute of Chicago), achieves an atmosphere of monumental dignity through the balanced arrangement of its elements and the contours of its figures. Seurat's other large-scale works are The Models (1888, Barnes Foundation Collection, Merion, Pennsylvania), The Side Show (1889, Stephen Clark Collection, New York), The Chahut (1889-1891, Kr?r-M?Museum, Otterlo, Netherlands), and The Circus (1890, Louvre, Paris).

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Silva, Francis A --- Francis A Silva - American Hudson River School Painter, 1835-1886
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Artist ID :    301   |   302   |   304   |   305   |   306   |   307   |   308   |   Total 1167 artists, Go To /1167
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