Mihaly Munkacsy

Hungary, 1844 - 1900
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Mihaly Munkacsy oil paintings
Large Flower-piece
Mihaly Munkacsy
Item ID:28431
Paris Interior
Mihaly Munkacsy
Item ID:28432
Baby's Visitors
Mihaly Munkacsy
Item ID:28433
The Hound
Mihaly Munkacsy
Item ID:28434
Dusty Road
Mihaly Munkacsy
Item ID:28435
Woman Carrying Faggots
Mihaly Munkacsy
Item ID:28436
Wounded Wanderer
Mihaly Munkacsy
Item ID:28437
Study for Golgotha
Mihaly Munkacsy
Item ID:28438
Portrait of Cardinal Lajos Haynald
Mihaly Munkacsy
Item ID:28439
Woebegone Highwayman
Mihaly Munkacsy
Item ID:28440
Ecce Homo
Mihaly Munkacsy
Item ID:28441
Milton
Mihaly Munkacsy
Item ID:28443
Yawning Apprentice
Mihaly Munkacsy
Item ID:28444
The Pawnbroker s Shop
Mihaly Munkacsy
Item ID:28445
Park Monceau at Night
Mihaly Munkacsy
Item ID:28447
The Sacrifice of Flowers
Mihaly Munkacsy
Item ID:28449
Munkacsy, Mihaly oil painting
Mihaly Munkacsy
Item ID:28450
Portrait of a Woman
Mihaly Munkacsy
Item ID:28451
Study for Christ before Pilate
Mihaly Munkacsy
Item ID:28452
Woman Churning
Mihaly Munkacsy
Item ID:28453
Portrait of Laszlo Paal
Mihaly Munkacsy
Item ID:28454
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Biography
Artist photo
Munkacsy was an outstanding Hungarian realist painter of the 19th century. He started to paint during the years he spent in Arad as a joiner. With the help of pardons he studied at the Viennese, Munich. Munkacsy painted his first major work, the outstanding "The Condemned Cell" in 1872, then together with his friend, he moved to Paris, where be lived until the end of his life. Munkacsy painted his genres in the style of realism between 1873 and 1875: "Midnight Ramblers", "Farewell". "Churning Woman", "Woman Carryng Brushwood", and "Pawnshop" were the zenith of his career. He married the widow of Baron de Marches in 1874, and his style changed from that time on. Departing from the typical subjects of realism, be produced colourful salon paintings and still-lifes. This was the period when be also turned to ladscape painting; his growing interest is marked by such great paintings as "Dusty Road". "Corn Field", and "Walking in the Woods". His realist portraits - e.g. of Franz Liszt and Cardinal Haynald - were also born around this time, together with his religions paintings, such as "Christ in front of Pilate", "Golgotha" and later, "Ecce homo". Towards the end of his career he painted two monumental works: "Hungarian Conquest" for the House of Parliament and a fresco entitled "Apotheosis of Renaissance", for the ceiling of the Kunsthistorisches Museum in Vienna.
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