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Vittore Ghislandi Oil Paintings

[ Nationality : Italian Painter, 1655-1743 ] Hand Painted Oil Painting Reproductions
5 paintings, painting: 1 - 5. Total 1 pages, page :1/1

Portrait of a Gentleman

classical painting 38889-Portrait of a Gentleman.jpg, Vittore Ghislandi artwork.

38889

Portrait of a Gentleman

classical painting 38890-Portrait of a Gentleman.jpg, Vittore Ghislandi artwork.

38890

Portrait of a Young Man

classical painting 38891-Portrait of a Young Man.jpg, Vittore Ghislandi artwork.

38891

Portrait of Count Giovanni Battista Vailetti

classical painting 38892-Portrait of Count Giovanni Battista Vailetti.jpg, Vittore Ghislandi artwork.

38892

Portrait of Giovanni Secco Suardo and his Servant

classical painting 38893-Portrait of Giovanni Secco Suardo and his Servant.jpg, Vittore Ghislandi artwork.

38893

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5 paintings, painting: 1 - 5. Total 1 pages, page :1/1
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Ghislandi, Vittore (Nationality:Italian Painter, 1655-1743)
Giuseppe Ghislandi, successivamente Vittore Ghislandi, detto Fra' Galgario (Bergamo, 1655 - dicembre 1743), è stato un pittore italiano. Giuseppe Ghislandi nasce a Bergamo nel 1655, da Domenico e Flaminia Mansueti. La sua formazione avviene a Bergamo sotto Giacomo Cotta, incisore milanese, attivo in città come pittore di soggetti sacri, e sotto Bartolomeo Bianchini. Probabilmente a influenzarlo in questa prima fase oltre a Giovanni Battista Moroni, furono le opere di Carlo Ceresa e le nature morta di Evaristo Baschenis. Nel 1675 entrò come frate laico nell'Ordine dei frati minimi nel convento di San Francesco da Paola a Venezia, assumendo il nome di Vittore, in città rimase fino al 1688, dedito allo studio delle opere di Tiziano e Paolo Veronese, a quest'anno è databile il Ritratto di Domenico Ghislandi Rientrato a Bergamo si trasferisce intorno al 1690 ancora a Venezia come allievo e collaboratore di Sebastiano Bombelli entrando in contatto con l'opera dei ritrattisti Nicolò Cassana, il fiammingo Jan de Kerkchoven detto Giacomo da Castello e del ritrattista boemo Johann Kupezky. A questo periodo possono risalire il Ritratto di Bartolomeo Manganoni del 1695 circa, e conservato al Musée d'Art et d'Histoire di Narbonne e il Ritratto di patrizio veneziano, degli ultimi anni del secolo XVII e ora in collezione privata. Nel 1701 circa ritorna a Bergamo. Di questo periodo sono il Busto di Vitellio Imperatore, del 1702 e ora all'Accademia Carrara di Bergamo, con il probabile pendant costituito dal Busto di un poeta laureato, ora in collezione privata; il Ritratto del marchese Rota e del capitano Brinzago, databile tra il 1702 e il 1705; il Ritratto di gentiluomo, il Ritratto di gentiluomo e il Ritratto di gentiluomo in giacca rossa, questi ultimi tre databili al 1705 circa e in diverse collezioni private.

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