Dance of the Majos at the Banks of Manzanares [ID:35437]
Francisco de Goya

• Oil Painting ID: 35437 - [Order the painting now]
• Artist : Francisco de Goya -- Check All The Artist's Paintings.
• Nationality : Spain, 1746 - 1828
• Title : Dance of the Majos at the Banks of Manzanares
• Info : picture ID 35437-Dance_of_the_Majos_at_the_Banks_of_Manzanares.jpg

Goya, Francisco de
Francisco José de Goya y Lucientes (30 March 1746 - 16 April 1828) was a Spanish painter and printmaker regarded both as the last of the Old Masters and as the first of the moderns. Goya was a court painter to the Spanish Crown and a chronicler of history. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya was born in Fuendetodos, Aragón, Spain, in 1746 to José Benito de Goya y Franque and Gracia de Lucientes y Salvador. He spent his childhood in Fuendetodos, where his family lived in a house bearing the family crest of his mother. His father earned his living as a gilder. About 1749, the family bought a house in the city of Zaragoza and some years later moved into it. Goya attended school at Escuelas Pias, where he formed a close friendship with Martin Zapater, and their correspondence over the years became valuable material for biographies of Goya. At age 14, he entered apprenticeship with the painter José Luzán. He later moved to Madrid where he studied with Anton Raphael Mengs, a painter who was popular with Spanish royalty. He clashed with his master, and his examinations were unsatisfactory. Goya submitted entries for the Royal Academy of Fine Art in 1763 and 1766, but was denied entrance. He then journeyed to Rome, where in 1771 he won second prize in a painting competition organized by the City of Parma. Later that year, he returned to Zaragoza and painted a part of the cupola of the Basilica of the Pillar, frescoes of the oratory of the cloisters of Aula Dei, and the frescoes of the Sobradiel Palace. He studied with Francisco Bayeu y Subías and his painting began to show signs of the delicate tonalities for which he became famous.

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