Luca Signorelli

Italy, 1450 - 1523
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Luca Signorelli oil paintings
The Trinity, the Virgin and Two Saints
Luca Signorelli
Item ID:29637
Mary Magdalene
Luca Signorelli
Item ID:29638
Madonna and Child
Luca Signorelli
Item ID:29639
The Scourging of Christ
Luca Signorelli
Item ID:29641
Madonna and Child with Saints
Luca Signorelli
Item ID:29642
The Circumcision
Luca Signorelli
Item ID:29643
Resurrection of the Flesh
Luca Signorelli
Item ID:29644
The Damned
Luca Signorelli
Item ID:29645
The Damned II
Luca Signorelli
Item ID:29646
Lamentation over the Dead Christ
Luca Signorelli
Item ID:29647
Christ on the Cross with Mary Magdalene
Luca Signorelli
Item ID:29648
Communion of the Apostles
Luca Signorelli
Item ID:29649
Madonna and Child with Saints,
Luca Signorelli
Item ID:29650
Doubting Thomas
Luca Signorelli
Item ID:29651
Sant'Onofrio Altarpiece,
Luca Signorelli
Item ID:29652
Annunciaton
Luca Signorelli
Item ID:29653
The Damned III
Luca Signorelli
Item ID:29654
Portrait of a Man, Gemaldegalerie
Luca Signorelli
Item ID:29655
Holy Family
Luca Signorelli
Item ID:29656
Stories from the Life of Saint Benedict
Luca Signorelli
Item ID:29657
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Biography
Artist photo
Signorelli, Luca, full name Luca d'Egidio di Ventura de' Signorelli , was an Italian Renaissance painter, born in Cortona. One of the great masters of the Umbrian school, he was associated with the Tuscan painter Piero della Francesca, perhaps as his pupil, from whom he derived his treatment of perspective. His mastery of human anatomy was inspired by the work of the Florentine painter Antonio del Pollaiuolo. The Madonna and Child with Four Saints and an Angel (1484), a signed altarpiece for a chapel in Perugia Cathedral, reveals his developed handling of anatomy. His masterpieces are the vast frescoes of scenes in hell, purgatory, and heaven, done (1499-1504) for the chapel of San Brizio in Orvieto Cathedral. Inspired by the Divine Comedy of Dante Alighieri, they include the intensely dramatic End of the World and the Last Judgment, with violently contorted bodies. These powerful figures, with their realistic anatomical detail, influenced Michelangelo and Raphael.
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