Artist Name
Q | Flemish

Quentin Massys

Flemish Northern Renaissance Painter, ca.1465-1530
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Quentin Massys oil paintings
Adoration of the Magi

Adoration of the Magi

Quentin Massys
Item ID:33308
Ecce Homo

Ecce Homo

Quentin Massys
Item ID:33309
Entombment

Entombment

Quentin Massys
Item ID:33310
Ecce Homo II

Ecce Homo II

Quentin Massys
Item ID:33311
Virgin and Child Surrounded by Angels

Virgin and Child Surrounded by Angels

Quentin Massys
Item ID:33312
The Virgin and Child

The Virgin and Child

Quentin Massys
Item ID:33313
Portrait of a Canon

Portrait of a Canon

Quentin Massys
Item ID:33314
Portrait of an Old Man

Portrait of an Old Man

Quentin Massys
Item ID:33315
Portrait of Erasmus of Rotterdam

Portrait of Erasmus of Rotterdam

Quentin Massys
Item ID:33316
St Anne Altarpiece central panel

St Anne Altarpiece central panel

Quentin Massys
Item ID:33317
St Christopher

St Christopher

Quentin Massys
Item ID:33318
St John Altarpiece

St John Altarpiece

Quentin Massys
Item ID:33319
St Mary Magdalene

St Mary Magdalene

Quentin Massys
Item ID:33320
The Moneylender and his Wife

The Moneylender and his Wife

Quentin Massys
Item ID:33321
The Ungly Duchess

The Ungly Duchess

Quentin Massys
Item ID:33322
The Virgin Enthroned

The Virgin Enthroned

Quentin Massys
Item ID:33323
Virgin and Child

Virgin and Child

Quentin Massys
Item ID:33324
Virgin and Child II

Virgin and Child II

Quentin Massys
Item ID:33325
Virgin and Child in a Landscape

Virgin and Child in a Landscape

Quentin Massys
Item ID:33326
Virgin with the Child

Virgin with the Child

Quentin Massys
Item ID:33327
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Biography
Artist photo
Quentin Matsys (Dutch: Quinten Matsijs; 1466 – 1530) was a painter in the Flemish tradition and a founder of the Antwerp school. He was born at Leuven, where he was trained as an ironsmith. Near the front of the Cathedral of Our Lady in Antwerp is a wrought-iron well, known as the "Matsys Well," which according to tradition was made by the painter-to-be. During the greater part of the 15th century, the centres in which the painters of the Low Countries most congregated were Tournai, Bruges, Ghent and Brussels. Leuven gained prominence toward the close of this period, employing workmen from all of the crafts. Not until the beginning of the 16th century did Antwerp take the lead which it afterward maintained against Bruges, Ghent, Brussels, Mechelen and Leuven. Matsys, as a member of Antwerp's Guild of Saint Luke, was one of its first notable artists.
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Complete list of Quentin Massys's oil paintings

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